ODE TO SELF-EMPLOYMENT
The outset of a broad and searching investigation.
LIFE AFTER LIFE
The last issue without a paywall.
REST IN PEACE
What we talk about when we talk about broken financial structures.
A CRITIQUE OF THE LOS ANGELES VISUAL ARTS COALITION
An expanded critique of the Los Angeles Visual Arts Coalition, which is a neither a coalition nor a functional organization.
EQUITY BEFORE DISTRIBUTION
Those who contribute vital resources must be sufficiently compensated before the fruits of their labor are redirected to other causes.
ON CONSOLIDATED MUTUAL AID
We're now offering discounted sessions for individuals and groups. Also some words on the state of the creative economy.
TIME RESUMES
Throwing 2023 into the dumpster fire where it belongs and praying that 2024 is a few shades less intense even though it probably won’t be.
RESIDENCY AS WHITENESS ENHANCER
We recommend distrust, skepticism, and a take-no-prisoners approach when dealing with anything that is not a nonprofit but acts like one.
FUCK ARTFORUM
The international art cadre’s indisputable ties to right-wing political movements shows itself once again.
THE GUARANTEED NON-OPPORTUNITY
If you don't get an adequate cash payment, it's not an opportunity.
APPLICATION SAMPLE
A quick glimpse at the core of our Graham Foundation application.
ACTIVITY THAT CLEARS THE MIND
Our intensive begins next week. In the meantime, writing we published elsewhere.
IS MY BODY MEANT TO BE READ?
The studio announces its first two-week summer intensive featuring guest speakers from across the visual arts.
NOTES ON PRACTICE
An interlude for the wicked who need rest.
THEY MAKE HELL EXACTLY LIKE THEY USED TO
Taking a deeper look at the Graham Foundation and our grant programming about the nonprofit organization.
ARCHITECTURE FOR THE .00002 PERCENT
Grant workshops and seminars tailored to the forthcoming Graham Foundation application cycle.
ODE TO ZOMBIFICATION
The zombified, post-studio entity proves it is no longer necessary to maintain a studio so much as act as if one could and does.
THE GHOST IS A MACHINE
WE BELIEVE IN WITCHCRAFT is a writing workshop that helps artists produce genre-defying supplementary materials to describe and contextualize their practice.
VIOLENCE WITH A SMILE
MONEY WOES prepares artists to recognize economic violence and develop financial independence in an industry filled with cloying, privileged assholes.
ALWAYS A TIME TO CURB YOUR INSTITUTION
What is a grant workshop going to do for me when these art organizations are cosplaying as broke?
CATCHING ZEDS
On the joys of physical labor and sleeping on the work couch.
GROWING PAINS
Returning to the material world.
UNDER CONSTRUCTION
If upward social mobility is impossible, can we at least increase our freedoms and cash flow?